On Unusual Charges - Part II: Harpies Displayed

The Field is Azure, an Harpey displaied, Crined, Crowned, and Armed, Or. These are the Armes of the noble City of Norenberga, which according to some Authors is sitituate in the very Center of the vast and spacious Country of Germany. The Harpey (saith Upton) should be given to such persons as have committed manslaughter, to the end that by the often view of their Ensignes they might be moved to bewaile the foulnesse of their offence.

This is rather a good entry in the competition for 'charges which should never be shown displayed' by John Guillim in his 1611 Display of Heraldrie.

On Project Plans: The Book of La

My previous book-related project (still somewhat ongoing) is the Book of La, a music book for bardic occasions. The first version has already been... I won't say finished, but released into the wild perhaps? But it certainly won't be the last.



The Book of La started at the College of St Aldhelm, after we developed the habit of singing at the pub after our weekly meetings. Initially, we were using the very fine The Known Words, but the problem we encountered in that environment specifically was that with so many inexperienced members of the SCA, many of the songs we would otherwise love to have sung weren't known to most (or even any), and songs are quite difficult to sing without tunes.

The solution I hit upon was to make our own book, with those favourites of ours, with the tunes included, and some other songs we thought would add to the experience, including several of the College's songs. The result was the College of St Aldhelm Book of La (College War XVIII Edition), which was put into print with funding from the College, and given out at the College War event we hosted that year. It was a reasonable success, and only a few heartbreakingly-obvious typos to point out...

My current place with the project is to fix up the errors, polish the product, and give the College a version to put on their website. That's nearly done, but I'm easily distracted, as this blog may be taken as testament to.

After that, my plans are to expand on the Book of La with more songs, as best as I'm able to find tunes for (which is really the difficulty). It may take some time before the next edition is ready, but that's inevitable.

As I'm withdrawing from the College to allow the next generation to make it their own, I had to decide whether to pass the Book of La on to the next Seneschal to improve, or keep it as a project of my own. Considering the varying workloads required of students, and the specialised techniques that went into its creation, and I freely admit a decent level of emotional involvement, I've decided to carry the Book of La project myself, removing the College labels from the next edition (though I'll keep the College of St Aldhelm songs in there... perhaps I ought gather some songs from the other Colleges around Lochac, too, for balance).



The Book of La itself is largely presented in a modern style, with modern sheet music, for the sake of readability and usability. It's in a somewhat large-print format, so that it can be read by candlelight or firelight in a bardic setting, or printed at half-scale for portability.

On Unusual Charges - Part I: The Fiber

R. beareth Verte, a Fiber, Argent. This beaste, Animal est emphibion, because he can live bothe on the lande and in the water, and maketh houses or dennes, arraied with wonderfull crafte, in the brinckes of Rivers, and waters, as Plinie saithe. He is also named Castor, à castrando. For he geldeth him selfe, when he perceiveth that he is persued of the hunter, and bitinge of his stones, which are marveilously good in medicines, layeth them in the sighte of the hunter, knowinge by nature, that he is hunted for the same, and so he escapeth deathe. The whiche Cicero in Scauriana affirmeth: sayinge, that he ransometh him with that parte of his bodyfor whiche he is moste pursued. Juvenall also saithe, that he geldeth him selfe, for the desire he hath to escape. This beast in shape is wonderfull, for his tayle onely is fishe, and all the other deale of his body hathe the fourme of a litle hounde. His hynder feete be as it were feete of an hounde, wherewith especially he goeth on the lande : and his twoo forefeete bene as it were the feet of a Goose, and therewith he chiefely swimmeth in the water. In runninge his is very slowe, Ob ventrem tumidum, & ad terram dendentem. His skinne is full pretious, and properly white.

Are you glad you're not a beaver in period? John Bossewell doesn't have a good life ahead for you...

On Projects Plans: A Heraldic Treatise

"Someone should really do X..."

The above statement is unhelpful. I have a personal rule which states that it should always be followed by "...and that someone is me!" if you want to be a contributing member of society.

How is that particularly relevant? Well, I found myself, some years ago, reading through period heraldic treatises (the many results of which may be found throughout this blog), and thinking to myself, "Someone should really write one of these for SCA heraldry..."

It took a few minutes for that inadvertant volunteering to sink in.

This isn't an upcoming project, rather an ongoing project that's been bubbling away. The research phase started in earnest in July 2011, and the actual pen-to-paper (as it were) phase began in November 2012. It's currently at approximately twenty thousand words (of an estimated forty to sixty thousand), and approximately ninety pages (of an estimated two to three hundred). The length will jump quite a ways when I start adding illustrations, rather than simple text. This is just the first draft, mind, so it's not a third of the project done, by any means.

There are various areas to be covered in the treatise, including both book and voice heraldry, as well as precedence and thoughts about the society, as the period treatises I've studied have had varied topics contained within, from simple coat-armour to complex musings on the nature of knighthood and nobility, and diverse other things.

I've been away from the project for several months, because of study commitments (hmm, should I spend time writing the treatise, or my many essays and assignments?). I've returned to the project this week, and have been revising a lot of the earlier writing and choices to match the later study I've done, as a way of refamiliarising myself with the work. Some of the things I've noticed along the way have reinforced to me the scale of the project I've put myself in for.

Many of the things written on this blog will likely be a springing point (or central reference) for sections of the treatise, as various parts overlap. For instance, the court heraldry section of the treatise will likely be based largely on my Court in the Act article.